Name : Peter Rainer / Alias : Christian Science Monitor
A classic example of a documentary that discovers its subject in the process of its making.

Name : Andrew O'Hehir / Alias : Salon.com
If John Steinbeck were writing in the second decade of the 21st century, "The Overnighters" is precisely the story he'd want to tell.

Name : Justin Chang / Alias : Variety
[A] tough-minded, admirably unresolved film .

Name : J. R. Jones / Alias : Chicago Reader
The movie might seem like just another liberal do-gooder profile, yet a shocker ending throws new and disturbing light on the situation, amplifying the Christian themes at the heart of the story.

Name : Stephanie Merry / Alias : Washington Post
"The Overnighters" is commendable for many reasons, not the least of which is the way it allows complex issues to remain complex. There is a clear conflict between the pastor and the town, but there's no good vs. evil.

Name : Peter Keough / Alias : Boston Globe
Through patience, skill, discretion, and trust, Jesse Moss has taken a seemingly small town story and turned it into both a microcosm of today's most urgent issues and a portrait of a single suffering soul.

Name : Lisa Kennedy / Alias : Denver Post
Moss uses images of drill towers or blistering flame as visual metaphors for other things transpiring on screen: the fracturing of a family, the heated fury that comes with a sense of betrayal.

Name : David Rooney / Alias : Hollywood Reporter
A scenario with present-day echoes of "The Grapes of Wrath" yields perceptive insights into the way we view outsiders.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film features stunning third-act revelations that compel viewers to rethink its characters' actions and motivations.

Name : Jeannette Catsoulis / Alias : New York Times
Composed of multiple layers - more than one of which might bring tears to your eyes - this shape-shifting documentary begins as one thing and ends as quite another.

Name : Peter Howell / Alias : Toronto Star
A sobering must-see, The Overnighters speaks to the eternal dilemma of doing the right thing in a community beset by suspicion and fear.

Name : Michael Phillips / Alias : Chicago Tribune
So much of "The Overnighters" tells all sorts of truths, and Moss earned the trust of his subjects, whatever they might think of the result.

Name : Trevor Johnston / Alias : Time Out
An urgent portrait of compassion under fire.

Name : David Lewis / Alias : San Francisco Chronicle
Moss was basically a one-man production crew, which explains how he was able to film such intimate, painful conversations. His work is haunting - one of the best documentaries of the year.

Name : A.A. Dowd / Alias : AV Club
Moss uncovers something greater than a vision of a divided community; he's made a drama as prickly and surprising as any fictional character study.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Filmmaker Jesse Moss frames his shots beautifully; the landscapes look like Andrew Wyeth paintings.

Name : Tom Long / Alias : Detroit News
It develops into a study of obsession, hypocrisy, righteousness and self-doubt, questioning motive and then gob-smacking the audience with the wholly unexpected.

Name : Amy Nicholson / Alias : L.A. Weekly
The Overnighters sounds like the sort of dry news blurb you'd skim over in the Sunday paper, but it unfolds into an epic tragedy.

Name : Sheri Linden / Alias : Los Angeles Times
It's the rare documentary in which truly unpredictable events unfold and no assumption is safe.

Name : Wesley Morris / Alias : Grantland
Sometimes you go to a movie and know from the first image that whoever made it knows what she's doing. You don't need convincing. You're there with her. Jennifer Kent's The Babadook is like that.

Name : Drew Hunt / Alias : Chicago Reader
The Babadook makes a convincing argument for classy, psychological horror cinema even as it fails to meet its own lofty standard.

Name : Betsy Sharkey / Alias : Los Angeles Times
"The Babadook" is a smart, darkly drawn modern-day horror movie of monsters, memories and mothers.

Name : Inkoo Kang / Alias : TheWrap
"An exceptionally rich psychological portrait of a woman, it's an enormously compassionate and sadly relevant film about misplaced blame and the often impossible demands of motherhood."

Name : William Goss / Alias : Film.com
An impressively chilling exercise in old-school restraint.

Name : Steven Rea / Alias : Philadelphia Inquirer
No matter how successful The Babadook turns out to be - and Jennifer Kent's horror story deserves all the success it gets - the prospects of a best-selling kid-lit tie-in don't look good.

Name : Ty Burr / Alias : Boston Globe
A potent journey through the fears, anxieties, and repressed rages of motherhood.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Director Kent has made the kind of striking film that is going to have mainstream Hollywood haunting her like a Babadook in a bad mood. For the sake of her idiosyncratic vision, let's hope she doesn't frighten easily.

Name : Ella Taylor / Alias : NPR
The Babadook makes the most of its special effects as needed, but this smart little frightener keeps its head close to the rising anxiety of a young widow whose husband died a violent death.

Name : A.A. Dowd / Alias : AV Club
What really distinguishes The Babadook, however, is the metaphorical potency of its narrative.

Name : Jordan Hoffman / Alias : New York Daily News
One of the smartest and most effective horror films in years.

Name : Scott Foundas / Alias : Variety
Manages to deliver real, seat-grabbing jolts while also touching on more serious themes of loss, grief and other demons that can not be so easily vanquished.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Although the supernatural seems the likeliest answer, it's not the only one, and audiences can read the film either way.

Name : A.O. Scott / Alias : New York Times
You will be scared. And also, perhaps even more scarily, moved.

Name : Moira MacDonald / Alias : Seattle Times
Shot in chilly shades of blue, "The Babadook" will haunt anyone who's ever heard a cry in the night - or wondered what was under the bed, in the dark.

Name : David Edelstein / Alias : New York Magazine/Vulture
In the running with Boyhood as my favorite movie of 2014 is another work that turns on the challenges of parenting. This one is a tad more insane.

Name : Michael O'Sullivan / Alias : Washington Post
With its mixture of frights both literal and literary, "The Babadook" will, I suspect, satisfy horror's devotees as much as the genre's doubters.

Name : Rene Rodriguez / Alias : Miami Herald
This is a dark and shivery story about motherhood, a common subject for horror movies, but one that's rarely treated with such intelligence or seriousness of intent.

Name : Joshua Rothkopf / Alias : Time Out New York
Who thinks up a film like The Babadook? Actress-turned-debuting-feature-director Jennifer Kent has the narrative chutzpah to show her entire hand in the pop-up story and then make us squirm as foretold events come true.

Name : Sara Stewart / Alias : New York Post
I like to imagine watching this chilling Australian horror film with late, great authors Shel Silverstein, Roald Dahl and Edward Gorey - all of whom would have relished its twisted children's storybook at the center of things.

Name : Adam Graham / Alias : Detroit News
Credit writer-director Jennifer Kent for lending her Australian indie a healthy dose of brains and subtlety, giving it a distinct advantage over most modern horror films.

Name : David Rooney / Alias : Hollywood Reporter
This is a different kind of nail-biter that has less to do with demonic possession than with the renegade power of an untamed imagination.

Name : Chris Nashawaty / Alias : Entertainment Weekly
In an age when horror movies have mostly become lazy and toothless, here's one with ambition and bite.

Name : Joe Morgenstern / Alias : Wall Street Journal
A small film that packs a horribly big punch.

Name : Peter Travers / Alias : Rolling Stone
This psychological thriller from gifted first-time filmmaker Jennifer Kent will have you climbing the walls simply by plumbing the violence of the mind. Brace yourself.

Name : Richard Roeper / Alias : Chicago Sun-Times
As someone who has developed a pretty thick Critic's Shield from years of watching standard haunted house/possessed human/mythological-creature fare, I have to say I was genuinely freaked out by some of the passages in The Badabook.

Name : Rafer Guzman / Alias : Newsday
Jennifer Kent's startling debut is an artful horror-chiller that gets under your skin and into your psyche.

Name : Bill Goodykoontz / Alias : Arizona Republic
This is a really scary movie.

Name : Anthony Lane / Alias : New Yorker
Let a law be passed, requiring all horror films to be made by female directors.

Name : Alan Scherstuhl / Alias : Village Voice
It's the most horror I've felt at a horror film since Neil Marshall's The Descent, one where the scares don't release the tension - they harrow.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"The Babadook" is urgent, uncanny and entirely disturbing, a dream within a dream within a nightmare. It is the best English language supernatural film of this new century.

Name : Dana Stevens / Alias : Slate
The Babadook makes everyday domestic life seem like the most natural possible place to encounter monsters of every description, including the monsters that we ourselves have the capacity to become.

Name : Michael Phillips / Alias : Chicago Tribune
Kent has taste, an eye and a knack for brisk, accelerated pacing. In the case of "The Babadook," familiarity breeds an eerily gratifying contentment.