Name : Todd McCarthy / Alias : Hollywood Reporter
Rock the Kasbah morphs into a pretty implausible feel-good movie that's nearly as maudlin as it is unconvincing.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Rock the Kasbah, does not rock at all - not even a little bit.

Name : Michael Phillips / Alias : Chicago Tribune
A white-savior showbiz fable of a particularly dubious and retrograde variety.

Name : Jim Slotek / Alias : Toronto Sun
It's a movie that's half-over before it tells us what it's really about.

Name : Tasha Robinson / Alias : AV Club
A comedy that's openly afraid to seem too sincere or too mawkish, and doesn't fully commit either to its comedy or its uplift. Like Murray, it's wry and presented largely in air quotes, with an accompanying eye-roll.

Name : J. R. Jones / Alias : Chicago Reader
This dismal comedy, scripted by Murray's old pal Mitch Glazer (Scrooged), evinces only enough interest in Afghanis to keep the story rolling.

Name : Richard Roeper / Alias : Chicago Sun-Times
This movie is all over the place.

Name : Natalie Daher / Alias : Minneapolis Star Tribune
It fumbles a bit by prioritizing the goofy antics of its white cast over what turns out to be a smart depiction of non-Western life.

Name : Steven Rea / Alias : Philadelphia Inquirer
Some projects are just too misguided for the star to mug and shrug his way out of. Consider Rock the Kasbah at the top, or the bottom, of that list.

Name : David Edelstein / Alias : New York Magazine/Vulture
As one-liner after one-liner misses its mark, you begin to feel sorry for Murray, who's really too old to be playing a guy who has a little daughter . and likes to get kinky with Kate Hudson as a raucous, Dolly Parton-style hooker-businesswoman.

Name : Brad Wheeler / Alias : Globe and Mail
Not Murray's best and not Levinson's either.

Name : Soren Anderson / Alias : Seattle Times
Murray, idiosyncratic as always, dominates, but his performance can't save this misconceived mess.

Name : Joe Morgenstern / Alias : Wall Street Journal
"Rock the Kasbah" is the mausoleum where comedy was buried.

Name : Ty Burr / Alias : Boston Globe
If it were any worse, they'd be screening it as evidence at The Hague.

Name : Alonso Duralde / Alias : TheWrap
Bill Murray is Bill Murray is Bill Murray in a comedy that's little more than a schtick delivery system with some third-act personal growth thrown in for good measure.

Name : Lindsey Bahr / Alias : Associated Press
The movie wants to be both glib and emotionally resonant, but it can't seem to figure out what the stakes are - even as people are getting shot.

Name : Rafer Guzman / Alias : Newsday
An ongoing war is no setting for a musical comedy, especially one this glib and inane.

Name : David Lewis / Alias : San Francisco Chronicle
Murray does his best to hold up the movie, but there's only so much he can do. Ultimately, his latest fish out of water never makes it back upstream.

Name : Michael O'Sullivan / Alias : Washington Post
Levinson never seems to know what to point his camera at, or when to cut, and Glazer never seems to know when to leave a joke alone and let the cast work.

Name : Andrew Barker / Alias : Variety
Bill Murray heads to Afghanistan in director Barry Levinson's dreadfully misguided farce.

Name : Peter Travers / Alias : Rolling Stone
Rock the Kasbah goes fierce to quietly touching and back to funny again.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It needs a smarter script. It needs at least two or three perfectly engineered, joke-after-joke sequences. It needs a smart director - did you really do "Wag the Dog," Levinson? - whose idea of political satire goes beyond freshman-year sarcasm.

Name : Joe Neumaier / Alias : TIME Magazine
Its music-industry gags sit awkwardly next to war-zone jokes and cultural quips, landing all involved on a peace train to nowhere.

Name : Gary Goldstein / Alias : Los Angeles Times
An acclaimed film director, a legendary comic actor, lots of fun rock and pop songs, and a noble story at its core can't save "Rock the Kasbah" from being one hugely misguided dud.

Name : Brian Truitt / Alias : USA Today
A lot of the actor's usual mercurial charm isn't used to full effect and is actually tempered when it doesn't feel like it should be.

Name : Randy Cordova / Alias : Arizona Republic
There might be a decent movie in here somewhere, if the focus had been on the right character.

Name : Mark Jenkins / Alias : NPR
Rock the Kasbah's timing is so slack, and its screenplay so shapeless, that the movie doesn't even rise to the level of an Afghan-war Stripes. It's almost as laugh-free as the latest news from Kunduz.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Your enjoyment of all this will probably depend heavily on your willingness to let the words romp and Taliban coexist for approximately two hours.

Name : Peter Howell / Alias : Toronto Star
Quite possibly [Murray's] worst movie ever.

Name : Manohla Dargis / Alias : New York Times
Cliched, enervating, insulting - it's tough to settle on a single pejorative for "Rock the Kasbah," though abysmal might do.

Name : Alan Scherstuhl / Alias : Village Voice
For every moment of desert beauty, or insight into the twilight economies that flourish in a war zone, there's a key scene that appears truncated or even missing.

Name : Wesley Morris / Alias : Grantland
The years in this movie don't really amount to much. It's stuck between disco shallowness and grown-up wisdom - like a turntable, it's spinning endlessly.

Name : Andrew Barker / Alias : Variety
Hansen-Love, who co-wrote the script along with her former-DJ brother Sven, zeroes in on the signature experiences of '90s club life with expert precision.

Name : David Edelstein / Alias : New York Magazine/Vulture
I think the triumph of the film itself is its centrifugal force, its dispersed palette, its constant movement away from a center - the reverse direction of those records on Paul's Technics turntable.

Name : Anthony Lane / Alias : New Yorker
If the result feels anesthetized, that could be seen as a tribute to the music, which remains ecstatically dull; when you are lost in it, the movie implies, the rest of life - and even time itself - can pass you by.

Name : Jeannette Catsoulis / Alias : New York Times
Perceptive and compassionate, "Eden" recognizes how the thrill of artistic freedom can curdle in the heat of the marketplace and the demands of daily life. Yet the movie's refusal to foster regret, or have Paul repudiate his passion, is telling.

Name : A.A. Dowd / Alias : AV Club
An intimate epic to sink into; it uses the unchanging age of its actors, whose characters stubbornly resist changing for two decades, as a melancholy commentary on the maturation process.

Name : Stephanie Zacharek / Alias : Village Voice
Even if you know nothing about techno, let alone garage, Hansen-Love's exploration of the ways music can nourish you or swallow you whole is instantly, perhaps painfully, recognizable.

Name : Mark Jenkins / Alias : NPR
A subtle portrait of an EDM Adam, Eden is neither a star-is-born fable nor a soul-is-lost parable.

Name : Kenneth Turan / Alias : Los Angeles Times
Hansen-Love is an assured and naturally empathetic director who specializes in making us care more about her characters than seems likely at the outset.

Name : Ben Sachs / Alias : Chicago Reader
The camerawork is so fluid and the settings so brimming with detail that one feels washed away by the film, recognizing the hero's decline only when he does-that is, too late.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Delicate, lifelike filmmaking .

Name : Jon Frosch / Alias : Hollywood Reporter
Eden is indeed as low-key as anything Hansen-Love has done, though it conveys a sense of risk that feels new for her - both in the scope of the story and in specific choices she makes.

Name : Ignatiy Vishnevetsky / Alias : AV Club
A viewer is always aware that they are being shown a place and an era, which helps explain how Eden manages the tricky business of being a movie that is overtly about lost time, but which unfolds chronologically, without as much as a flashback.

Name : Christopher Tarantino / Alias : Time Out
At one point, Paul describes his music as "somewhere between euphoria and melancholy," which is also an apt description of Eden itself.