About Mr. Turner

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Screen Of Mr. Turner

Comment For Kijken Naar Mr. Turner Online

Name : David Denby / Alias : New Yorker
"Mr. Turner" is a harsh, strange, but stirring movie, no more a conventional artist's bio-pic than Robert Altman's wonderful, little-seen film about van Gogh and his brother, "Vincent and Theo."

Name : Bill Zwecker / Alias : Chicago Sun-Times
I can't say enough about the power of Spall's performance.

Name : Kenneth Turan / Alias : Los Angeles Times
J.M.W. Turner, arguably the greatest of British painters, was an uncommonly difficult man, and "Mr. Turner," the exceptional film Mike Leigh has made about him, does not do things the easy way either.

Name : Lou Lumenick / Alias : New York Post
Timothy Spall - best known to mainstream audiences as Wormtail in the Harry Potter series - delivers an Oscar-caliber tour de force reminiscent of Charles Laughton

Name : Joe Morgenstern / Alias : Wall Street Journal
Any expectations of reverential biography are quickly dispelled by Mr. Leigh's sharp, scintillating script and Mr. Spall's uncanny daring.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Failure isn't only the province of the lazy and uninspired. No, even the gifted and conscientious must occasionally take a stroll through that blasted landscape, and with Mr. Turner Leigh does it, for 2 1/2 hours. Don't go with him.

Name : Peter Travers / Alias : Rolling Stone
Leigh shows us the world as Turner sees it-harsh and ravishing. His beauty of a movie touches the heart not by sentimental gush but by the amplitude of its art.​

Name : Sasha Stone / Alias : TheWrap
As is usual with any Mike Leigh film - a style unique and trademarked by now - his ensemble is a collection of remarkably adept actors who know their characters so well they could stay in character for weeks, continually improvising, as they often do.

Name : A.A. Dowd / Alias : AV Club
A portrait of the artist as visionary oddball, for whom life was an endless source of both beauty and the irritating distractions blocking his view of said beauty.

Name : Andrew O'Hehir / Alias : Salon.com
"Mr. Turner" is a rich, ruthless and profoundly compassionate study of life and love and art, for those who find themselves on its wavelength, but it also presents itself as a challenge.

Name : Keith Staskiewicz / Alias : Entertainment Weekly
To use a word often associated with Turner and his art, it's sublime.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It's not a pretty portrait of the artist. But it is a real one.

Name : Michael Phillips / Alias : Chicago Tribune
Without a speck of pomposity Leigh's film - one of the year's best - honors its subject in all his tetchy ambiguity.

Name : Katie Kilkenny / Alias : The Atlantic
A gorgeous, important film.

Name : David Edelstein / Alias : New York Magazine/Vulture
With his incomparable Mr. Turner, Mike Leigh continues to make other directors look simpleminded.

Name : Dave Calhoun / Alias : Time Out
Timothy Spall - a veteran of Mike Leigh's films - plays this eccentric, determined London bohemian like a bronchial, cantankerous, randy old toad with backache.

Name : Liam Lacey / Alias : Globe and Mail
The gap between the celestial art of the great English romantic painter Joseph Mallord William Turner and the brutish details of his life is vividly explored in Mike Leigh's tragicomic movie Mr. Turner.

Name : Bob Mondello / Alias : NPR
Spall may make a grotesque of Turner - piggish, rutting, whoring - but he finds such incandescence in the world around him. And director Mike Leigh lets you see that incandescence as Turner saw it: Everywhere.

Name : Elizabeth Weitzman / Alias : New York Daily News
Leigh and lead Timothy Spall make full use of their canvas, creating a sprawling portrayal of a wonderfully messy personality.

Name : Ann Hornaday / Alias : Washington Post
Despite his own failings and faults, Leigh and Spall's Turner is a man consumed by the search for truth and beauty, even in the midst of the less than pretty truths of his times.

Name : Peter Howell / Alias : Toronto Star
Keen observer Mike Leigh brings his hawk's eye to a vibrant rendering of J.M.W. Turner, the celebrated British "painter of light."

Name : A.O. Scott / Alias : New York Times
"Mr. Turner" is a mighty work of critical imagination, a loving, unsentimental portrait of a rare creative soul.

Name : J. R. Jones / Alias : Chicago Reader
Timothy Spall gives an admirably warty and unpleasant performance as Turner, an arrogant and uncompromising man who's annoyed by his celebrity in Britain but shocked when the public turns against his work.

Name : Scott Foundas / Alias : Variety
Mike Leigh takes on the topsy-turvy life of J.M.W. Turner in an exquisitely detailed, brilliantly acted biopic.

Name : Richard Corliss / Alias : TIME Magazine
Epic in breadth and length (2 1/2 hours), and gorgeously photographed (digitally) by Bill Pope, Mr. Turner is intimate in incident.

Name : Peter Rainer / Alias : Christian Science Monitor
It's a painfully uneven movie, but its best moments are ravishingly good.

Name : Colin Covert / Alias : Minneapolis Star Tribune
"Mr. Turner" is a rich portrait of England at a particularly scabrous period.

Name : Claudia Puig / Alias : USA Today
The sprawling, loosely structured 2 1/2 hour drama has some of the year's most stunning visuals, many of which appear as artfully composed scenes in Turner's work.

Name : Rex Reed / Alias : New York Observer
A vacuous endurance test about an abstract loser.

Name : Leslie Felperin / Alias : Hollywood Reporter
Mr. Turner manages to illuminate that nexus between biography and art with elegant understatement.

Name : Stephanie Zacharek / Alias : Village Voice
This is less your standard-issue biopic than a foray into the mystery of human feeling.

Name : Dana Stevens / Alias : Slate
Writing about Mr. Turner a few weeks after seeing it, I feel a craving to be again immersed in its world, which is rich with colors, textures, and, it sometimes almost seems, smells .

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About The Birth Of A Nation

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Comment For The Birth Of A Nation 2016 Aanhangwagen Review

Name : Variety Staff / Alias : Variety
Birth of a Nation is a great epoch in picture making; it's great for pictures and it's great for the name and fame of David Wark Griffith. When a man like Griffith in a new field can do what he has done, he may as well be hailed while he is living.

Name : Dave Kehr / Alias : Chicago Reader
Griffith's later films are unquestionably superior. But here, in a very real sense, is where the movies began, both as an art and as a business.

Name : Justin Chang / Alias : Variety
Debuting writer-director Nate Parker stars in this searingly impressive account of the Nat Turner slave rebellion.

Name : Todd McCarthy / Alias : Hollywood Reporter
The film offers up more than enough in terms of intelligence, insight, historical research and religious nuance as to not at all be considered a missed opportunity .

Name : Richard Brody / Alias : New Yorker
Problematically, Birth of a Nation wasn't just a seminal commercial spectacle but also a decisively original work of art - in effect, the founding work of cinematic realism, albeit a work that was developed to pass lies off as reality.

Name : Alison Willmore / Alias : BuzzFeed News
Turner deserves this treatment; he deserves a film that doesn't soften the era or apologize in any way for his anger; and he deserves a salute for making it happen.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
More than a movie about a slave rebellion, it's about the difficulty of reconciling the great moral chasms between thought, vision, and deed.

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About Inherent Vice

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1. Click link/button before this section (WATCH/DOWNLOAD button)

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4. Click register

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Screen Of Inherent Vice

Comment For Inherent Vice Ver Pelicula Latino Online

Name : Peter Howell / Alias : Toronto Star
This "sunshine noir" bakes your brain, in a good way.

Name : Ben Kenigsberg / Alias : AV Club
The fact that perhaps 90 percent of the dialogue comes from Pynchon poses an authorship question that doesn't exist with Anderson's other movies. Still, the deftness with comedy and actors are at a level that few filmmakers working today could achieve.

Name : Elizabeth Weitzman / Alias : New York Daily News
Phoenix's extraordinary performance pulls the movie's infinite strands together. But this twisty tale takes so many foggy turns that you'll want to approach it with a plan.

Name : Andrew O'Hehir / Alias : Salon.com
I can't wait to see it again.

Name : Peter Rainer / Alias : Christian Science Monitor
[Paul Thomas Anderson's new movie] is a kind of companion piece to Altman's The Long Goodbye, and it's the sort of failure that only a director of his talents could make.

Name : Wesley Morris / Alias : Grantland
There are, of course, two ways to experience Inherent Vice: with the brain on or the brain off. Both work. The latter is a good time, the former more illuminating.

Name : Claudia Puig / Alias : USA Today
Think of it as a film that's meant to be experienced, more than fully understood.

Name : Manohla Dargis / Alias : New York Times
Mr. Anderson has condensed the book with surgical precision, ditching certain subplots, characters and locales while retaining the novel's sociopolitical tug, barbed asides and chokingly funny details.

Name : Todd McCarthy / Alias : Hollywood Reporter
Offers a only a pale and narrow physical recreation of such a vibrant place and time.

Name : Kyle Smith / Alias : New York Post
"Inherent Vice," meandering even by Anderson's standards, is easily the worst of his movies, a soporific 2 /₂- hour endurance test.

Name : James Berardinelli / Alias : ReelViews
At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy.

Name : Peter Travers / Alias : Rolling Stone
Inherent Vice, brilliantly scored by Jonny Greenwood, is an Anderson head trip, impure jazz with a reverb that can leave you dazed, confused and even annoyed. But at no time do you doubt that you are in the hands of a master.

Name : Anthony Lane / Alias : New Yorker
"Inherent Vice" is not only the first Pynchon movie; it could also, I suspect, turn out to be the last. Either way, it is the best and the most exasperating that we'll ever have.

Name : Stephen Whitty / Alias : Newark Star-Ledger
Anderson, as always, knows exactly what he's doing with the camera. Scenes are often staged in the haze of smoke or fog; sometimes characters are introduced late into the frame, or action happens just out of it.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Inherent Vice is half-baked Raymond Chandler. With too much emphasis on the baked part.

Name : Stephanie Zacharek / Alias : Village Voice
A huge relief, as if a giant gas bubble had finally, with great effort, reached the surface of the pond with a cathartic blurp.

Name : Scott Foundas / Alias : Variety
Anderson's seventh feature film is a groovy, richly funny stoner romp.

Name : Joshua Rothkopf / Alias : Time Out New York
As with Magnolia and Punch-Drunk Love, the director has created another vivid Los Angeles, one that doesn't lean too hard on its pop-culture references to TV's Adam-12 or Neil Young's gentle Harvest album.

Name : Richard Corliss / Alias : TIME Magazine
Never quite transcending the sum of its agreeably disparate parts, IV is less groovy than gnarled and goofy, but in a studied way. Call it an acquired taste with a kinky savor.

Name : Joe Morgenstern / Alias : Wall Street Journal
Since most of Paul Thomas Anderson's Inherent Vice was meant to be impenetrable, the best approach, as you watch it drift by, is to savor the dreamy images and druggy jokes and forget about penetrating the plot.

Name : Bob Mondello / Alias : NPR
[P.T. Anderson] is a terrific stylist . and the scattershot pleasures he's peddling in 'Inherent Vice' may well satisfy those who like style more than substance, or maybe who like their style with substances.

Name : Ella Taylor / Alias : NPR
I love Anderson's ambition, but it is awfully hard to make a movie about a culture adrift that doesn't make its audience feel the same. Inherent Vice runs a punishing 148 minutes, not enough of which are funny or sad enough to hold us.

Name : Betsy Sharkey / Alias : Los Angeles Times
Trying to pare back Pynchon without killing the joke was the challenge. Anderson has done a remarkable job of replicating the crazy kaleidoscope of crime, dope and raunch the novelist conjured.

Name : Liam Lacey / Alias : Globe and Mail
Too often, the film gets distracted with things to giggle at, and breaks the spell.

Name : David Edelstein / Alias : New York Magazine/Vulture
It's actually less coherent than Pynchon, no small feat. It's not shallow, though.

Name : Lou Lumenick / Alias : New York Post
Makes Howard Hawks' legendarily confusing 'The Big Sleep' look like a model of narrative coherence.

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