Name : Bill Goodykoontz / Alias : Arizona Republic
Bang, boom, bam. That's about the size of things in No Escape, a movie banking on its admittedly first-rate action drowning out its political tone-deafness.

Name : Stephen Dalton / Alias : Hollywood Reporter
Dowdle delivers enough adrenalized tension to maintain his track record of profitable, populist pulp.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
Strict plausibility isn't necessary in these movies, but you can't just throw it out the window, and "No Escape" shows why.

Name : Kevin P. Sullivan / Alias : Entertainment Weekly
Even ignoring the racism-which is pretty much impossible-No Escape is a cliche-ridden, artless relic.

Name : Daniel M. Gold / Alias : New York Times
Among the most terrifying scenes is an early shot of Mr. Brosnan in the hotel bar, shouting lyrics to a Huey Lewis tune. Oh, the horror.

Name : Moira MacDonald / Alias : Seattle Times
If you've really been wanting to see endless shots of Owen Wilson running, sometimes while carrying a medium-sized child, the thriller "No Escape" might be just for you.

Name : Julia Cooper / Alias : Globe and Mail
Whatever seeds of social justice and emotional nuance No Escape may be attempting to sow are undercut by the film's melodramatic valorization of family values.

Name : Ben Sachs / Alias : Chicago Reader
Dowdle sticks closely to the family's perspective, for better and for worse; though fairly effective at conveying their terror, he fails to establish any sort of social or political context for the story.

Name : Richard Roeper / Alias : Chicago Sun-Times
No Escape is an outlandish, sometimes brutally violent, exploitative, fast-paced white-knuckler featuring your classic American everyman who suddenly develops action-hero skills when his family is placed in danger.

Name : Kyle Smith / Alias : New York Post
Writer-director John Eric Dowdle makes the street action propulsive, bewildering and terrifyingly real, and things are just getting warmed up.

Name : Peter Rainer / Alias : Christian Science Monitor
No Escape is pretty trashy, but it held my attention, which is more than I can say for most of the summer fodder.

Name : Stephanie Merry / Alias : Washington Post
Every Asian character is either a ruthless murderer or anonymous collateral damage. A lot of locals have to die, the film suggests, in order for one white family to survive.

Name : James Berardinelli / Alias : ReelViews
This isn't lightweight, fanciful entertainment; it's tense, white-knuckle material.

Name : Joe Morgenstern / Alias : Wall Street Journal
I won't make a case for No Escape being a good film; the first half is pretty good and the second half ranges from pretty bad to truly awful.

Name : Peter Travers / Alias : Rolling Stone
This movie really moves. But a fleet of tanks couldn't help the brothers Dowdle push past the plot holes in the screwiest mix of suspense and stereotypes since Michael Bay was a pup

Name : Ignatiy Vishnevetsky / Alias : AV Club
Despite its illegible chase scenes, awkward slow-motion shots, and fumbling attempts at political commentary, No Escape manages to be intermittently interesting, thanks to an off-beat supporting turn from Pierce Brosnan.

Name : Joshua Rothkopf / Alias : Time Out
A thoroughly ugly film for an audience that doesn't care who's shooting whom.

Name : Jake Coyle / Alias : Associated Press
Taut, well-made and entirely dubious.

Name : Michael Granberry / Alias : Dallas Morning News
A nearly two-hour thrill ride that, tired cliche that it is, really does keep you on the edge of your seat.

Name : Alonso Duralde / Alias : TheWrap
Between the script and the superior editing by Elliot Greenberg, there's an enormous amount of tension and thrills to be found here; unfortunately, they're all in the service of a movie that's reprehensible to the core.

Name : Peter Howell / Alias : Toronto Star
In terms of pure popcorn escapism, No Escape delivers from the get-go, cutting to the chase without belabouring the character details.

Name : Peter Keough / Alias : Boston Globe
No Escape is a tense but utterly predictable exercise in Western xenophobic paranoia and guilt.

Name : Justin Chang / Alias : Variety
A technically accomplished, morally rank slab of cultural exploitation .

Name : Gary Goldstein / Alias : Los Angeles Times
Supersize your popcorn, check your logic at the door and settle in for a pretty good ride.

Name : Joe Neumaier / Alias : New York Daily News
There's no fleeing the clunkiness in "No Escape."

Name : Steven Rea / Alias : Philadelphia Inquirer
A taut thriller about an American family touching down in an unnamed country just as a violent coup erupts, No Escape goes about its gut-churning business by playing (and preying) on our worst xenophobic tendencies.

Name : Andy Webster / Alias : New York Times
A smorgasbord of empty calories, the Vin Diesel vehicle "The Last Witch Hunter," for all its overstuffed visuals, leaves you hungry. But not for more.

Name : Alex Pappademas / Alias : Grantland
A feature film that feels like a longish TV pilot.

Name : James Berardinelli / Alias : ReelViews
Unfortunately, a film needs more than Diesel's Stallone-ish appeal to succeed and that's where The Last Witch Hunter is found lacking.

Name : Tom Russo / Alias : Boston Globe
Even with Diesel's oblivious self-miscasting - he's a producer on the film - "Witch Hunter" feels like genre material that might have found a way to work.

Name : Inkoo Kang / Alias : TheWrap
"The Last Witch Hunter" aims for pulpy, comic-book fun, but it's never as fleet, funny, or detailed as it needs to be. If you're looking for something above middling in terms of plot, characters, [or] world-building, you'll need to seek it elsewhere.

Name : Robert Abele / Alias : Los Angeles Times
One of those artlessly restless, exposition-dialogue fantasy-action slogs .

Name : Stephen Dalton / Alias : Hollywood Reporter
Fast and furious on the surface, shallow and conventional beneath, Diesel's bid to carve himself another billion-dollar franchise is off to a good start with this mainstream crowd-pleaser.

Name : Kyle Anderson / Alias : Entertainment Weekly
The only thing The Last Witch Hunter will successfully eradicate is insomnia.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The Last Witch Hunter ends up crumbling into another generic showdown of murky fantasy effects and snatched artifacts, with a final shot that is literally framed around a door to possible sequels.

Name : Kyle Smith / Alias : New York Post
The movie left me amazed - amazed that Nicolas Cage wasn't in it.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
You . have to swallow a by-the-numbers plot buried under an avalanche of fast-and-furious but underwhelming CGI effects.

Name : Alan Scherstuhl / Alias : Village Voice
Vin Diesel may not run smoothly, but he runs with purpose and conviction, and any line of dialogue processed through him comes out sounding like he believes it, even the sentimental ones.

Name : Bruce Kirkland / Alias : Toronto Sun
It is not even bad enough to be good camp comedy.

Name : Manori Ravindran / Alias : Globe and Mail
Seemingly at every juncture, the finality so necessary to up the stakes of this story is quickly snatched away in order to tease a sequel or two, leaving you wondering what the point of this supernatural exercise was in the first place.

Name : Guy Lodge / Alias : Variety
Too drab to succeed even as defiantly unvirtuous trash . stifles Diesel's rough-hewn charisma via a sludgy, impermeable oil spill of CGI effects - in the service of largely unspectacular hocus pocus.

Name : Rafer Guzman / Alias : Newsday
The dependable Diesel and a fine cast keep this hokey action flick mostly entertaining.

Name : Andrew Lapin / Alias : NPR
Some action heroes take themselves too seriously, or think they're making popcorn fun when they're really filleting us with endless rounds of ammunition. Not Diesel .

Name : Richard Roeper / Alias : Chicago Sun-Times
The screenplay by a trio of writers is muddled and goofy and riddled with cliches.

Name : Ben Sachs / Alias : Chicago Reader
The special effects are pretty neat, and the filmmakers utilize them smartly, delivering imaginative set pieces that are more visually compelling than the usual series of digital explosions.

Name : Soren Anderson / Alias : Seattle Times
It's the kind of roller-coaster Hollywood churns out seemingly in its sleep, oversaturated with effects shots and plot implausibilities. Ten minutes after you've seen it, you'll have forgotten all about it.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
Watching The Last Witch Hunter is like sitting by while someone else plays a game whose coolness eludes us.

Name : Tom Huddleston / Alias : Time Out
What an ugly, idiotic mess this is.

Name : Michael O'Sullivan / Alias : Washington Post
The special-effects-laden fight scenes are ho-hum, incoherent and badly lit. It's often hard to tell what some warlock or scorpion-like beast is doing and to whom.

Name : Peter Howell / Alias : Toronto Star
The Last Witch Hunter is so drenched in CGI effects, it looks as if it's been dunked in a vat of lacquer.