Name : V.A. Musetto / Alias : New York Post
It is Dequenne who holds the film together - she and Techine's youthful touch, which belies his 66 years.

Name : David Fear / Alias : Time Out
Techine offers a character study in lieu of context for the similar 2007 hoax that threw the French press into a tizzy, and like many of his best films, this what-if examination works best as an actors' showcase.

Name : Bernard Besserglik / Alias : Hollywood Reporter
The movie is held together.by the fluidity of his style and his characteristic blend of lightness and gravity.

Name : Ronnie Scheib / Alias : Variety
Techine fashions a brilliantly complex, intimate multi-strander, held together but somewhat skewed by the central perf of Emilie Dequenne.

Name : Manohla Dargis / Alias : New York Times
A seductive drama.

Name : Ella Taylor / Alias : Village Voice
For better or worse, there isn't a human experience that French director Andre Techine can resist lathering into a tone poem.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Although this stylish and ominously paced vehicle starts with a full itinerary, it never makes a vital connection.

Name : Rex Reed / Alias : New York Observer
The film is based on a play, but it is to the director's credit that it never shows the claustrophobic trappings of a proscenium stage.

Name : Martin Tsai / Alias : Los Angeles Times
A paper-thin plot ornamented with distractions: a nonlinear narrative, unreliable narrators, flatulent dialogue and awkward post-production work.

Name : Wesley Morris / Alias : Boston Globe
A movie whose blitheness doesn't know when to quit.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie seems likely to be about anti-Semitism, but that's more the occasion than the subject.

Name : Michael O'Sullivan / Alias : Washington Post
It's a well-acted, but frustratingly inconclusive exercise.

Name : Andrea Gronvall / Alias : Chicago Reader
Techine glosses over the story's most potent issue: France's complicated relationship with its Jewish community.

Name : Owen Gleiberman / Alias : Entertainment Weekly
Techine has made a half-captivating, half-baffling tease of a movie in which one woman's destructive whim has the effect of making anti-Semitism look like a myth.

Name : Mick LaSalle / Alias : San Francisco Chronicle
This is Techine's gift - not just detail, but telling detail; and not just slices of life, but slices as rich as a cassata cake.

Name : Scott Tobias / Alias : AV Club
Given several years' distance from the media blitz, Techine brings clarity, maturity, and perspective to the case while still subtly addressing all the thorny social issues the affair touched off.

Name : Rene Rodriguez / Alias : Miami Herald
Like Techine's best films, the movie appears to be a story about nothing - until it suddenly becomes a meditation on the vagaries of the human heart.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Girl on the Train reverberates with a quiet, seductive power.

Name : David Jenkins / Alias : Time Out
The film's big strength is its unwillingness to dish out easy answers

Name : Anthony Lane / Alias : New Yorker
At the age of sixty-six, [Techine] approaches the exploits of his characters with a gusto, and a willingness to be led astray, that borders on the adolescent.

Name : James Berardinelli / Alias : ReelViews
Although the main character's motivations remain largely a matter of conjecture, The Girl on the Train is a compelling piece of cinema.

Name : Kenneth Turan / Alias : Los Angeles Times
Don't expect any kind of neo-documentary examination of cause and effect. That's not filmmaker Andre Techine's style, and this is one of his most successful films.

Name : Martin Tsai / Alias : Los Angeles Times
The make-it-rain cliches are abundant and Jean-Claude La Marre's direction is pedestrian .

Name : James Berardinelli / Alias : ReelViews
When critics bemoan the dumbing down of movies, they're talking about stuff like The Purge.

Name : Stephen Whitty / Alias : Newark Star-Ledger
There's nothing you'd want to see again, particularly served up with all these shaky closeups and off-kilter angles and a cast mostly waiting - like us - for it to be over.

Name : Simon Abrams / Alias : Chicago Sun-Times
Instead of being a creepy B-movie about the necessity of suppressing one's animalistic urges, "The Purge" is just a product of uninspired filmmaking.

Name : Peter Keough / Alias : Boston Globe
Somewhere between Shirley Jackson's "The Lottery" and the "Family Guy" episode in which Peter Griffin joins the Tea Party lies "The Purge." Unfortunately, it's as funny as the former and as thoughtful as the latter.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The Purge clearly has a lot on its mind, but it never really manages to express it.

Name : Joe Neumaier / Alias : New York Daily News
You hope for a purge to wipe away bad movies like this.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
In its own clumsy, exaggerated way, The Purge takes a strong stand against our cultural obsession with violence and our tendency to conflate justice with vengeance.

Name : Joshua Rothkopf / Alias : Time Out
The film morphs into a dull version of Straw Dogs .

Name : Soren Anderson / Alias : Seattle Times
No real answers are provided by writer-director James DeMonaco. He simply presents this bizarre dystopian future, and the audience is left to take it or leave it.

Name : Alan Scherstuhl / Alias : Village Voice
The set-up is arresting, the domestic scenes well observed and acted, and the payoffs involving that Roomba toy excellent. Also, a late-film twist isn't a surprise, exactly, but it is delicious.

Name : Michael O'Sullivan / Alias : Washington Post
A nutty if bloody lark, with a strange artificiality to the behaviors it portrays. That blunts the sharpness of any cultural critique it might aspire to.

Name : Michael Sragow / Alias : Orange County Register
Writer-director James DeMonaco's The Purge fritters away its promise in lurid, frenzied violence.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The Purge suffers from BioShock Syndrome: Its survive-at-all-costs plot and anti-libertarian slant are incompatible.

Name : Manohla Dargis / Alias : New York Times
The message just gets louder and louder, cruder and cruder, which is too bad because Mr. DeMonaco knows how to set a stage.

Name : Peter Hartlaub / Alias : Hearst Newspapers
The blunt instrument plot allows for a few sneaky moments of satire and social commentary lite.

Name : Robert Abele / Alias : Los Angeles Times
A routine home invasion movie more interested in B-horror tropes and bloodletting than a thought-provoking look at "Hunger Games"-ish class warfare.

Name : Peter Travers / Alias : Rolling Stone
Too bad the film devolves into a series of home-invasion cliches. The Purge was almost on to something.

Name : Rafer Guzman / Alias : Newsday
The vague posters for "The Purge" won't prepare you for how sharp and shockingly subversive this home-invasion flick can be.

Name : Rene Rodriguez / Alias : Miami Herald
The film has some vague things to say about class and racial differences, but they are drowned out by the sounds of blasting shotguns and huge knives being plunged into chests.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The Purge is not subtle. But why should it be? It's not a movie about class or morality, but about the need for violence - our own. We are the audience, after all, and we must be purged, too.

Name : Nigel Floyd / Alias : Time Out
The film's would-be subversive ideas about the kneejerk appeal of social violence get lost in the mix.

Name : Peter Howell / Alias : Toronto Star
It's cultural commentary as blunt instrument - and as blunt instruments are wont to do, it achieves an end while making a bloody mess.

Name : Leslie Felperin / Alias : Variety
That old horror-movie standard, a homestead besieged by psychos, gets remixed with a bit of Occupy-era class-conflict satire in the disappointing future-set thriller The Purge.

Name : Rick Groen / Alias : Globe and Mail
Fans, gear up for rock-em-sock-em action, yet don't be disappointed if much of the goonery seems a bit tepid and, dare I say, staged.

Name : Claudia Puig / Alias : USA Today
Audiences will feel the need for a good cleansing after experiencing The Purge.

Name : Matt Patches / Alias : Film.com
A blunt takedown of 1%-er politics masquerading as a home invasion picture.

Name : Neil Young / Alias : Hollywood Reporter
Gimmicky chiller lacks the robustness and distinction needed to support its social-commentary ambitions.

Name : David Thomson / Alias : The New Republic
If The Purge is as far-sighted as Network proved to be, we are in for very ugly times.

Name : Kristin Tillotson / Alias : Minneapolis Star Tribune
Its premise requires more sophisticated layering for the audience to really get on board with the notion that people leading very comfortable lives will suddenly go on a murder bender just because they can.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
The great premise in "The Purge" - and it is a great premise, while being no "Hunger Games" - is squandered on a few levels.

Name : Kerry Lengel / Alias : Arizona Republic
"The Purge" is one of those unimaginative horror flicks that depend on skreeky music and sudden appearances to startle, but never actually frighten, the audience.

Name : Rex Reed / Alias : New York Observer
DeMonaco clearly hopes to make a significant moral statement on the level of Shirley Jackson's literary masterpiece The Lottery. Alas, his aim at political conservatives who support the gun lobby falls flat before he can pull the trigger.

Name : Ian Buckwalter / Alias : NPR
The Purge is mostly a genre picture trying to layer on some prestige by way of social commentary. The latter falls flat; the film is actually stronger when it just goes for our baser instincts.

Name : Lou Lumenick / Alias : New York Post
After a wickedly promising start, this pointed political satire quickly deteriorates into a fairly routine, if sporadically quite effective, home-invasion thriller.