Name : V.A. Musetto / Alias : New York Post
It is Dequenne who holds the film together - she and Techine's youthful touch, which belies his 66 years.

Name : David Fear / Alias : Time Out
Techine offers a character study in lieu of context for the similar 2007 hoax that threw the French press into a tizzy, and like many of his best films, this what-if examination works best as an actors' showcase.

Name : Bernard Besserglik / Alias : Hollywood Reporter
The movie is held together.by the fluidity of his style and his characteristic blend of lightness and gravity.

Name : Ronnie Scheib / Alias : Variety
Techine fashions a brilliantly complex, intimate multi-strander, held together but somewhat skewed by the central perf of Emilie Dequenne.

Name : Manohla Dargis / Alias : New York Times
A seductive drama.

Name : Ella Taylor / Alias : Village Voice
For better or worse, there isn't a human experience that French director Andre Techine can resist lathering into a tone poem.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Although this stylish and ominously paced vehicle starts with a full itinerary, it never makes a vital connection.

Name : Rex Reed / Alias : New York Observer
The film is based on a play, but it is to the director's credit that it never shows the claustrophobic trappings of a proscenium stage.

Name : Martin Tsai / Alias : Los Angeles Times
A paper-thin plot ornamented with distractions: a nonlinear narrative, unreliable narrators, flatulent dialogue and awkward post-production work.

Name : Wesley Morris / Alias : Boston Globe
A movie whose blitheness doesn't know when to quit.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie seems likely to be about anti-Semitism, but that's more the occasion than the subject.

Name : Michael O'Sullivan / Alias : Washington Post
It's a well-acted, but frustratingly inconclusive exercise.

Name : Andrea Gronvall / Alias : Chicago Reader
Techine glosses over the story's most potent issue: France's complicated relationship with its Jewish community.

Name : Owen Gleiberman / Alias : Entertainment Weekly
Techine has made a half-captivating, half-baffling tease of a movie in which one woman's destructive whim has the effect of making anti-Semitism look like a myth.

Name : Mick LaSalle / Alias : San Francisco Chronicle
This is Techine's gift - not just detail, but telling detail; and not just slices of life, but slices as rich as a cassata cake.

Name : Scott Tobias / Alias : AV Club
Given several years' distance from the media blitz, Techine brings clarity, maturity, and perspective to the case while still subtly addressing all the thorny social issues the affair touched off.

Name : Rene Rodriguez / Alias : Miami Herald
Like Techine's best films, the movie appears to be a story about nothing - until it suddenly becomes a meditation on the vagaries of the human heart.

Name : Steven Rea / Alias : Philadelphia Inquirer
The Girl on the Train reverberates with a quiet, seductive power.

Name : David Jenkins / Alias : Time Out
The film's big strength is its unwillingness to dish out easy answers

Name : Anthony Lane / Alias : New Yorker
At the age of sixty-six, [Techine] approaches the exploits of his characters with a gusto, and a willingness to be led astray, that borders on the adolescent.

Name : James Berardinelli / Alias : ReelViews
Although the main character's motivations remain largely a matter of conjecture, The Girl on the Train is a compelling piece of cinema.

Name : Kenneth Turan / Alias : Los Angeles Times
Don't expect any kind of neo-documentary examination of cause and effect. That's not filmmaker Andre Techine's style, and this is one of his most successful films.

Name : Peter Rainer / Alias : Christian Science Monitor
A classic example of a documentary that discovers its subject in the process of its making.

Name : Andrew O'Hehir / Alias : Salon.com
If John Steinbeck were writing in the second decade of the 21st century, "The Overnighters" is precisely the story he'd want to tell.

Name : Justin Chang / Alias : Variety
[A] tough-minded, admirably unresolved film .

Name : J. R. Jones / Alias : Chicago Reader
The movie might seem like just another liberal do-gooder profile, yet a shocker ending throws new and disturbing light on the situation, amplifying the Christian themes at the heart of the story.

Name : Stephanie Merry / Alias : Washington Post
"The Overnighters" is commendable for many reasons, not the least of which is the way it allows complex issues to remain complex. There is a clear conflict between the pastor and the town, but there's no good vs. evil.

Name : Peter Keough / Alias : Boston Globe
Through patience, skill, discretion, and trust, Jesse Moss has taken a seemingly small town story and turned it into both a microcosm of today's most urgent issues and a portrait of a single suffering soul.

Name : Lisa Kennedy / Alias : Denver Post
Moss uses images of drill towers or blistering flame as visual metaphors for other things transpiring on screen: the fracturing of a family, the heated fury that comes with a sense of betrayal.

Name : David Rooney / Alias : Hollywood Reporter
A scenario with present-day echoes of "The Grapes of Wrath" yields perceptive insights into the way we view outsiders.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The film features stunning third-act revelations that compel viewers to rethink its characters' actions and motivations.

Name : Jeannette Catsoulis / Alias : New York Times
Composed of multiple layers - more than one of which might bring tears to your eyes - this shape-shifting documentary begins as one thing and ends as quite another.

Name : Peter Howell / Alias : Toronto Star
A sobering must-see, The Overnighters speaks to the eternal dilemma of doing the right thing in a community beset by suspicion and fear.

Name : Michael Phillips / Alias : Chicago Tribune
So much of "The Overnighters" tells all sorts of truths, and Moss earned the trust of his subjects, whatever they might think of the result.

Name : Trevor Johnston / Alias : Time Out
An urgent portrait of compassion under fire.

Name : David Lewis / Alias : San Francisco Chronicle
Moss was basically a one-man production crew, which explains how he was able to film such intimate, painful conversations. His work is haunting - one of the best documentaries of the year.

Name : A.A. Dowd / Alias : AV Club
Moss uncovers something greater than a vision of a divided community; he's made a drama as prickly and surprising as any fictional character study.

Name : Leah Greenblatt / Alias : Entertainment Weekly
Filmmaker Jesse Moss frames his shots beautifully; the landscapes look like Andrew Wyeth paintings.

Name : Tom Long / Alias : Detroit News
It develops into a study of obsession, hypocrisy, righteousness and self-doubt, questioning motive and then gob-smacking the audience with the wholly unexpected.

Name : Amy Nicholson / Alias : L.A. Weekly
The Overnighters sounds like the sort of dry news blurb you'd skim over in the Sunday paper, but it unfolds into an epic tragedy.

Name : Sheri Linden / Alias : Los Angeles Times
It's the rare documentary in which truly unpredictable events unfold and no assumption is safe.