About Miss Peregrine's Home For Peculiar Children

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About Race

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Comment For Race Ver Pelicula

Name : Richard Roeper / Alias : Chicago Sun-Times
"Race" tells the story of a brave and gifted and determined man who accomplished great feats during a pivotal moment in world history - but it's a by-the-numbers sports biopic with little nuance and a penchant for saccharine-soaked dramatic moments.

Name : Joshua Rothkopf / Alias : Time Out
Race is the most timid, lackadaisical movie that could have been made out of potentially classic material.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It's amazing, the power of drama to make audiences worry about an outcome that is part of the historical record, but "Race" accomplishes just that.

Name : Rene Rodriguez / Alias : Miami Herald
A dull portrait of an extraordinary man.

Name : Joe Morgenstern / Alias : Wall Street Journal
It's a saga of unquenchable spirit and fast-twitch muscles shot in slow-twitch style.

Name : Stephanie Zacharek / Alias : TIME Magazine
Where is Owens in all of this? By the end of Race, we don't know much more about him as an individual than we did when the movie began.

Name : Richard Brody / Alias : New Yorker
A wallpaper-thin but sentimentally effective hagiography.

Name : Stephen Whitty / Alias : New York Daily News
As a Hollywood biography of the great Jesse Owens, it's meant to be epic. But its characters feel flat and unreal. Apart from a few big moments, it's as cheap and false as a 1970s TV flick.

Name : Soren Anderson / Alias : Seattle Times
Directed by Stephen Hopkins from a screenplay by Joe Shrapnel and Anna Waterhouse, "Race" is a well-made biopic about Owens at the Berlin Games and the events leading up to his extraordinary accomplishment.

Name : Brian Truitt / Alias : USA Today
At a time when the Oscars and movies, in general, struggle with finding racial balance, two guys of different skin colors coming together for some sports-movie magic is a fitting and truly welcoming lapping of the competition.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
James makes for a charismatic hero, and former "Saturday Night Live" star Sudeikis is a revelation as the steadfast Snyder.

Name : Ella Taylor / Alias : NPR
A handsomely mounted drama about a pivotal moment in the life of track star Jesse Owens .

Name : Michael Phillips / Alias : Chicago Tribune
"Race" can't help but engage when it gets to the games. But what's the point of telling Jesse Owens' story if you don't get into what made him tick, and drove his success as an athlete?

Name : Andrew Barker / Alias : Variety
Making a few admirable attempts to complicate what could have been a standard-issue inspirational sports narrative, "Race" is better than it has to be, but not by too much .

Name : Linda Barnard / Alias : Toronto Star
Owens's story is certainly one that needs telling, although Race isn't as strong as it could be, even if it does include a larger narrative than one man's rise to greatness.

Name : James Berardinelli / Alias : ReelViews
The bare necessities are there, the performances are competent, and there are some strong moments but Race suffers from a lack of ambition. It's too safe and that quality mutes its impact and limits its ability to be more than a history lesson.

Name : Jesse Hassenger / Alias : AV Club
Ultimately, it offers history told as a series of passing anecdotes.

Name : Alan Zilberman / Alias : Washington Post
The script and direction of "Race" are both workmanlike and serve the film well, helping us to see Owens and Snyder as ordinary people with extraordinary gifts.

Name : Ty Burr / Alias : Boston Globe
"Race" wants so badly to get every last bit of the big picture that it dashes past the little details that actually tell a story. Like an over-trained athlete who pulls a hamstring in the big race, the movie tries to do it all and comes up short.

Name : Inkoo Kang / Alias : TheWrap
A keen exploration of how to make a political statement without saying a word, and how best to stay true to one's self while making necessary compromises and calculations.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Hopkins, a prolific producer/director of B movies, moves things at a steady pace through the film's two-plus hours, getting many facts right, fudging a few and ignoring some. Those it shows with sensitivity are breathtaking.

Name : Scott Tobias / Alias : Village Voice
Race follows the pattern of so many other sports biopics in which it's white patronage that makes black triumphs possible.

Name : Jim Slotek / Alias : Toronto Sun
A glossy, superficial biopic set in a historical context that begs for more, Race can at least claim to be one of the two best movies ever made about Olympic hero/Hitler-embarrasser Jesse Owens.

Name : Adam Graham / Alias : Detroit News
A so-so movie about an extraordinary athlete.

Name : Christian Holub / Alias : Entertainment Weekly
The title is on-the-nose but rather fitting for the story of Jesse Owens, the black track-and-field athlete who stunned the world by winning four gold medals at the 1936 Olympics in Adolf Hitler's Berlin .

Name : David Sims / Alias : The Atlantic
Race wants to end, unsurprisingly, on a note of uplift-but for a film with so much dark, unexplored potential, it's an unsatisfying finish line to cross.

Name : Tony Hicks / Alias : San Jose Mercury News
"Race" is the story of Owens in his finest moments, and it succeeds in telling it. Just don't expect more than that.

Name : Kate Taylor / Alias : Globe and Mail
Hopkins films all the races with suitable elan - since Owens was a sprinter, accomplishing his feats in a matter of seconds, they are relatively easy to dramatize - but you don't leave the theatre with much understanding of how he did it.

Name : Peter Travers / Alias : Rolling Stone
Director Stephen Hopkins plods when he needs to sprint, but Jesse Owens is a great movie subject. His triumph at the 1936 Olympics left Hitler to suck it up and watch a black man shatter his cuckoo theories of an Aryan master race.

Name : Stephen Holden / Alias : New York Times
"Race" reminds us that long before television elevated black sports heroes into gods, there were athletes like Jesse Owens who paved the way.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
There are reasons to wish that Race.offered a broader, deeper portrait of the man. Yet, as a celebration and evocation of a stunning moment in time, it's an engrossing and occasionally surprising take on an iconic event in sports history.

Name : Kyle Smith / Alias : New York Post
"Race" is disappointing in parts, but Stephan James makes for an appealing star .

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
The film delivers what it promises - an education and a thrill.

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About The Walk

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Name : Adam Graham / Alias : Detroit News
As it comes together, the film becomes just as much a tribute to those massive Towers as it is to Petit.

Name : Peter Travers / Alias : Rolling Stone
Expect the worst from the first half- that's before Philippe Petit (Joseph Gordon-Levitt) strings up a wire between the World Trade Center towers. But then, oh, baby, does this movie fly.

Name : Tom Russo / Alias : Boston Globe
These dizzying IMAX 3-D visuals truly are big-screen magic, taking us inside Petit's transcendent experience as he navigates his preternatural path, indulges his showman's flair, and - agh! - reclines to commune with the heavens.

Name : Rene Rodriguez / Alias : Miami Herald
The Walk has been made with the same genial spirit a judge used when he sentenced Petit to perform a free show for children in Central Park for his crime. This is a love letter to lunacy that lets you feel what it's like to tread where only gods dare.

Name : Alex Pappademas / Alias : Grantland
For at least the duration of the 25-minute wire sequence, The Walk is a breathless, exhilarating moviegoing experience. It's just not much of a movie.

Name : Lindsey Bahr / Alias : Associated Press
The Walk serves its purpose by showing you something you've never seen before, from perspectives as impossible as the stunt itself. Zemeckis just chose for too long to luxuriate in the fantasy of it all, when the reality was more than enough.

Name : Stephanie Zacharek / Alias : Village Voice
The Walk, in its last half at least, is a dazzling piece of work, particularly in 3-D; even so, its most luminous effect is an actor.

Name : Michael Phillips / Alias : Chicago Tribune
The film gets better as it goes, and the last half-hour (especially in 3-D on an Imax screen) is nearly everything it should be: scary, visually momentous, meticulously realized.

Name : Lou Lumenick / Alias : New York Post
Zemeckis finally delivers the goods in abundance in the section that really counts: A vertigo-inducing digital re-creation of Petit's famous walk back and forth between the towers.

Name : A.A. Dowd / Alias : AV Club
It's when the walk portion of The Walk arrives that this unevenly scripted, fact-based thriller achieves its full potential.

Name : Steven Rea / Alias : Philadelphia Inquirer
It may not get inside the head of its pole-balancing protagonist - it doesn't really even try - but Zemeckis' movie takes you skyward.

Name : Colin Covert / Alias : Minneapolis Star Tribune
I'd love to say that I was delighted by Robert Zemeckis' "The Walk" from start to finish. But I can't. Not that I was disappointed. Simply underwhelmed. It just didn't click for me.

Name : A.O. Scott / Alias : New York Times
You can't help but hold your breath and clutch the armrests when Philippe steps out into the sky.

Name : Chris Vognar / Alias : Dallas Morning News
The line between gimmicky and magic can be mighty fine, but Robert Zemeckis masters it like a seasoned pro in The Walk.

Name : Joshua Rothkopf / Alias : Time Out
Ultimately there's enough daredevil verve here to offset the pedestrian comedy undergirding it.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Gordon-Levitt beguilingly captures Petit's irresistible charisma in a performance that completes his transition from indie-film favorite to big-budget star.

Name : Brian Truitt / Alias : USA Today
For those who want to feel like they're 110 stories up and living in the clouds, Hollywood does its job conjuring movie magic with a breathtaking Walk to remember.

Name : Richard Roeper / Alias : Chicago Sun-Times
The last 30 minutes or so are all about the walk. Dariusz Wolski's cinematography is beautiful. and Gordon-Levitt does some of his best acting when he's out on the wire and mostly silent, his face glowing from the sheer crazy joy he's feeling.

Name : Joe Morgenstern / Alias : Wall Street Journal
Then we're finally aloft, with the man on his wire, and Mr. Zemeckis and his colleagues lift their groundbound production into the realm of high art.

Name : James Berardinelli / Alias : ReelViews
It's two-thirds of a great film but the slow start and unremarkable first hour hold it back. Still, for those who buy into the precept that "good things are worth waiting for," The Walk unquestionably delivers.

Name : Andrew O'Hehir / Alias : Salon.com
I was simply exhausted by Zemeckis' oppressive insistence that I was being told a valuable, thrilling and humorous story, and was having a good time.

Name : Dan Callahan / Alias : TheWrap
"'The Walk' is that rare movie that might please practically everyone, from viewers just looking for a thrill to those who might enjoy a story that sounds like a tall tale but winds up being discreetly poignant."

Name : Kate Taylor / Alias : Globe and Mail
The film limps through its first two acts, putting in time until the big moment.

Name : Elaine Teng / Alias : The New Republic
Even in its greatest moment, The Walk breaks the spell with an unnecessary narration about how Petit felt in that moment, how the sky looked to him, how a bird came soaring towards his head.

Name : Jim Slotek / Alias : Toronto Sun
The Walk becomes a first-rate caper movie, with a thrilling finish that can't help but move you (if you haven't covered your eyes).

Name : Scott Tobias / Alias : NPR
Zemeckis throws all of the emphasis on the walk itself, which minimizes the film's annoyances and justifies the groundwork necessary for the big payoff.

Name : J. R. Jones / Alias : Chicago Reader
This delivers some frighteningly vertiginous moments once Petit steps off the South Tower into empty space, and Zemeckis wisely milks the climactic wire walk, which lasted 45 minutes and drew a crowd of breathless onlookers below, for all it's worth.

Name : Peter Debruge / Alias : Variety
A filmmaker with a gift for overcoming the seemingly impossible puts audiences in the place of the man who walked between the Twin Towers in this gripping human-interest story.

Name : David Rooney / Alias : Hollywood Reporter
The film's payoff more than compensates for a lumbering setup, laden with cloying voiceover narration and strained whimsy.

Name : Bill Goodykoontz / Alias : Arizona Republic
Zemeckis . nearly sinks the film before redeeming it in spectacular fashion.

Name : Mick LaSalle / Alias : San Francisco Chronicle
After two hours of "The Walk," I felt as if I'd walked the wire myself.

Name : David Sims / Alias : The Atlantic
Zemeckis's failing is his inattention to every other detail, but The Walk undeniably exists for its climax: one stunt it does manage to pull off flawlessly.

Name : Peter Howell / Alias : Toronto Star
Somehow The Walk succeeds in spite of its immoderation, especially when the stunt is at hand - in 3D IMAX, no less - which is so often the way of Zemeckis movies.

Name : Joe McGovern / Alias : Entertainment Weekly
The occasional hokum cannot cloud the stunning, incandescent craftsmanship of the movie's third act.

Name : David Edelstein / Alias : New York Magazine/Vulture
By some standards, this isn't much of a movie. But it is a hell of a monument.

Name : Moira MacDonald / Alias : Seattle Times
While it's clearly constructed with meticulous care, with the wire-walking scenes as breathtaking as CGI allows, it lacks a certain, well, je ne sais quoi.

Name : Peter Rainer / Alias : Christian Science Monitor
The walk itself is the film's central, and only, real achievement, but it's a doozy.

Name : Ann Hornaday / Alias : Washington Post
"The Walk" satisfies as an absorbing yarn of authority-flouting adventure and as an example of stomach-flipping you-are-there-ness. The journey it offers viewers doesn't just span 140 feet, but also an ethereal, now-vanished, world.

Name : Rafer Guzman / Alias : Newsday
A razzle-dazzle thriller with eye-popping visuals, white-knuckle tension and just the right note of melancholy.

Name : Joe Neumaier / Alias : TIME Magazine
The Walk is a visionary high-wire act.

Name : Stephen Whitty / Alias : Newark Star-Ledger
It is, as it should be, a slight, mischievous, light-footed film, full of imagery.

Name : Kenneth Turan / Alias : Los Angeles Times
It would be swell if all of "The Walk" came together as beautifully as the computer effects do, but it would also be churlish not to appreciate what we do have.

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